Un’ora immobile [A still hour]

—ONGOING—

How does imagination sha-pe our interpretation of the present?
Is this sequence a representation of common places or a search for non-sense?
How easy is it to take beau-tiful pictures?
Are these photos metaphors of the contemporary condition with a nostalgic look at the fascinating authen-ticity of decadence?
Or are they simp-ly daily notes?
Is it really important to la-bel photography?